A touching story about Japanese American children who corresponded with their beloved librarian while they were imprisoned in World War II internment camps. When Executive Order 9066 is enacted after the attack at Pearl Harbor, children's librarian Clara Breed's young Japanese American patrons are to be sent to prison camp. Before they are moved, Breed asks the children to write her letters and gives them books to take with them. Through the three years of their internment, the children correspond with Miss Breed, sharing their stories, providing feedback on books, and creating a record of their experiences. Using excerpts from children's letters held at the Japanese American National Museum, author Cynthia Grady presents a difficult subject with honesty and hope.
Naima is a talented painter of traditional alpana patterns, which Bangladeshi women and girls paint on their houses for special celebrations. But Naima is not satisfied just painting alpana. She wants to help earn money for her family, like her best friend, Saleem, does for his family. When Naima's rash effort to help puts her family deeper in debt, she draws on her resourceful nature and her talents to bravely save the day. Includes a glossary of Bangla words and an author's note about a changing Bangladesh and microfinance.
Ten-year-old Bilal liked his life back home in Pakistan. He was a star on his cricket team. But when his father suddenly sends the family to live with their aunt and uncle in America, nothing is familiar. While Bilal tries to keep up with his cousin Jalaal by joining a baseball league and practicing his English, he wonders when his father will join the family in Virginia. Maybe if Bilal can prove himself on the pitcher’s mound, his father will make it to see him play. But playing baseball means navigating relation-ships with the guys, and with Jordan, the only girl on the team—the player no one but Bilal wants to be friends with. A sensitive and endearing contemporary novel about family, friends, and assimilation.
5,000 years ago in ancient Mesopotamia during a terrible drought, Jomar and Zefa's father must send his children away to the city of Ur because he can no longer feed them. At fourteen, Jomar is old enough to apprentice with Sidah, a master goldsmith for the temple of the moongod, but there is no place for Zefa in Sidah's household. Zefa, a talented but untrained musician, is forced to play her music and sing for alms on the streets of Ur.