According to this Scottish folktale, long ago sweet-toothed fairies flew into peoples homes and feasted on leftover cake crumbs. But the King of the Fairies was annoyed that crumbs never remained from the very best cakes baked by the talented bakerwoman so he orders the fairies to capture her and bring her down to the Fairy Kingdom. The resourceful woman requests items from her kitchen at home, where her bewildered husband looks on as utensils and ingredients float out of the window, borne by invisible fairies. Eventually she strikes a clever bargain with the impatient Fairy King to win her freedom and return home in return for sharing her tasty cakes.
You may think you know the classic story of the Ugly Duckling, but think again. In the capable hands of his alter ego Maynard Moose, renowned storyteller Willy Claflin takes us on a wacky journey where this Uglified Ducky, a hapless young moose, "blunders away" from his home, is mistaken for a baby duck, and endures endless humiliation as he tries to learn to waddle, quack, swim, and fly. Eventually, he finds his true "fambly," who helps him discover his own beauty. In his fractured Moose English, translated in the glossary at front, Maynard relays a surprisingly tender story that echoes the original tale's theme of the struggle to belong and discover your true self. The Uglified Ducky's quest is playfully but sympathetically interpreted in James Stimson's luminous, droll gouache illustrations.
Only Maynard Moose could dream up this hilarious story that mashes up three fractured fairy tales by combining the stories of Rapunzel's golden locks with Sleeping Beauty along with Snow White & the Seven Dwarfs to create a bizarre adventure story.
Two hungry travelers arrive at a village expecting to find a household that will share a bit of food, as has been the custom along their journey. To their surprise, villager after villager refuses to share, each one closing the door with a bang. As they sit to rest beside a well, one of the travelers observes that if the townspeople have no food to share, they must be "in greater need than we are." With that, the travelers demonstrate their special recipe for a magical soup, using a stone as a starter. All they need is a carrot, which a young girl volunteers. Not to be outdone, another villager contributes a potato, and the soup grows as others bring corn, celery, and other vegetables and seasonings. In this cumulative retelling of an ancient and widely circulated legend, author Heather Forest shows us that when each person makes a small contribution, the collective impact can be huge. Susan Gaber's paintings portray the optimism and timelessness of a story that celebrates teamwork and generosity
In this award-winning home-grown version of "The Three Little Pigs," the villain is, naturally, a fox - the Appalachian red fox, who any local hunter will tell you is a worthy and cunning opponent. Davis's storytelling skills make full use of the tale's inherent repetition, capturing the mountain rhythms, homestead setting, and rural wisdom of the Appalachians. The bright watercolors depict a clever fox and capture the eastern mountain terrain that has shaped this unique version of a well-known tale.
When the barnyard animals are invited to a party by their neighbors, they dress in their Sunday best and set off for a day of merriment. But when dinnertime arrives, the famished animals are perplexed to find a simple meal of cornbread. Most of them are polite but Rooster turns his beak up in disgust and rudely leaves the party, missing the treasures hidden for the guests. The surprising twist at the end of the story explains why, ever since, Rooster scratches in the dirt. Martha Hamilton and Mitch Weiss capture the rhythms and idioms of this rural Southern tale, and Don Tate's whimsical acrylics serve up a regular hoedown of fun.
A little Red Hen lived in a house, with a frisky dog, a cat, and a mouse. So begins this fresh look at a beloved old fable. The little Red Hen's frisky housemates, Dog, Cat, and Mouse, would rather play than settle down to daily chores such as planting, cutting, and grinding wheat. But when the wheat is used to make a delicious cake, the little creatures are more than happy to help eat it! Heather Forest's rhythmic retelling captures the chaos of daily living and celebrates the spirit of teamwork inherent in the tale. Susan Gaber's whimsical illustrations transport the reader to a cozy cottage where the little Red Hen helps others learn how to help her even if it is more effort than doing the work herself.
When a rich man is rescued from thieves by a smelly, slobbery dog, the man offers the dog any treasure is his house as a reward. The treasure that the dog chooses is the rich mans daughter. With great sadness, the daughter honors her fathers promise and goes to live with the dog. Over time, a friendship grows between the girl and the dog, but she still misses her father. In this tale from Great Britain, award winning author, Margaret Read MacDonald puts a new spin on the classic story, Beauty and the Beast, reminding us all that appearances can be deceiving and that compassion can be powerful.
Have you ever heard the saying, Your eyes are bigger than your stomach? Well, Cat's stomach is bigger than a lot of things. He is always hungry, and living with culinary-inclined Mouse, who makes thirty-five pies in one day, just makes it worse. Fat Cat swallows everything in sight, including the washlady and her washtub, a troop of soldiers and their swords, even a king and his elephant! But when Cat swallows Mouse and her sewing basket, that's the last straw. Tiny Mouse cuts to the heart of the situation, taking an upside-down world and turning it right-side-up again. Greedy Cat learns his lesson and turns fat into fancy, fabulous, and fantastic. Margaret Read MacDonald's infectious energy combines with Julie Paschkis's folk-inspired gouache paintings to create a new retelling of a favorite comic cumulative tale.
A wise rabbi uses a pillow full of feathers to teach a gossipy villager a lesson on what happens when a person's reputation and trust are harmed by someone's negative, mean-sprited remarks.
In this action packed folktale from Panama, a clever little rabbit and his Tía Mónica find ways to outwit a fox, a tiger, and a lion, all of whom want to eat him for lunch.
This hilarious Maynard Moose tale as retold by master storyteller Willy Claflin takes us on another whimsical journey with the misadventures of a Bully Goat who suffers from Random Hostility Syndrome. The Bully Goat clashes with a three headed troll family and is undone by a baby girl troll when she suddenly realizes that everybody ought to mess with him! Her inspiration leads to a confrontation with the Bully Goat using only a pillow and three raggedy old bed sheets. After she cleverly outwits the Bully Goat, all of the forest animals follow her example and the threat of the bully is eliminated. Fortunately, everyone lives happily for never afterwords except for the Bully Goat since nobody likes a dubnoxious beastly. A Moose-English Glossary is included along with Hoofnotes to help guide you through the translation. This latest fractured fairy tale from the Piney Woods marks the third collaboration from the creative team who brought you the 2011Texas Bluebonnet Award winning book, The Uglified Ducky and the award winning Rapunzel & the Seven Dwarfs. James Stimson has worked his magic once again with his eclectic stylized illustrations that depict the humor of the offbeat trolls and capture the joy of the forest animals inhabiting the Piney Woods.
This story opens with "There once was a man whose house was very small," and it continues, "It was cluttered with things from wall to wall." With a tiny, cluttered house, giggling children, and a snoring wife, the poor man can't get a good night's sleep. If only, he thinks, I had a big quiet house! He throws off his covers and goes to visit the wise old woman at the edge of the village. Surely she can help him solve his problem. And she does, but not without giving him some very unusual advice. Bring a chicken into your house, she suggests. And when that doesn't work, she has him add a goat, a horse, a cow, and even a sheep. The ending of the story proves, as so many ancient folktales do, that quite often, nonsense makes the best sense of all. Susan Greenstein's bold illustrations, white pencil on black surface with watercolor - carry the reader through the warm interiors and peaceful nights of the shtetls of Eastern Europe.