Florence and Leon have never met. Florence is a swimming instructor. She has a small problem with her lungs: it's as if she's breathing through a straw. Leon is an insurance salesman. He has a small problem with his eyes: it's as if he's seeing the world through a straw. One day Florence and Leon bump into each other, literally, and this mishap turns their lives upside down. Over slushy drinks with proper straws, Florence and Leon find out how their differences make them alike.
Shivani a quitté Mumbai il y a quelques mois à peine… Mais elle ne se sent plus vraiment comme une étrangère. Elle aime sa nouvelle école et elle a enfin une amie. Par contre, quand sa mère se propose pour cuisiner pour la fête-bénéfice annuelle de l’école, Shivani est sûre qu’elle deviendra la risée de tout le monde. Qu’est-ce qui arrivera si sa mère décide de préparer un de ses « plats qui puent » ? Shivani adore la cuisine indienne, mais pas question d’en manger devant ses amis. Dès son entrée dans le gymnase le jour de la fête de l’école, Shivani sait que ses pires craintes sont devenues réalité : l’odeur caractéristique des épices indiennes flotte dans l’air. Mais ensuite, elle voit que des dizaines de personnes font la file devant le stand de sa mère. C’est le plus populaire !
A pampered child used to having her own way, Anneke Van Raalte lives outside Amsterdam, where her father is a cartoonist for an Amsterdam newspaper. Though Anneke's family is Jewish, her religion means little to her. Anneke's life changes in 1942 when the Nazis invade Holland and she and her family are deported to Theresienstadt, a concentration camp in Czechoslovakia. Not only are conditions in the camp appalling, but the camp is the site of an elaborate hoax: the Nazis are determined to convince the world that Theresienstadt is an idyllic place, and that European Jews are thriving under the Nazi regime. Because he is an artist, Anneke's father is compelled to help in the propaganda campaign, and Anneke finds herself torn between her loyalty to her family and her sense of what is right. What World is Left was inspired by the experiences of the author's mother, who was imprisoned in Theresienstadt during World War II.
Like the original version, this new edition of Pride: The Celebration and the Struggle celebrates the LGBTQ+ community's diversity and the incredible victories of the past 50 years—but it also has a larger focus on activism, the need to keep fighting for equality and freedom around the world and the important role that young people are playing. The new edition has been updated and expanded to include many new Proud Moments and Queer Facts as well as a profile of LGBTQ+ refugees from Indonesia, a story about a Pride celebration in a refugee camp in Kenya and profiles of young activists, including teens from a Gender and Sexuality Alliance organizing Pride in Inuvik and a trans girl from Vancouver fighting for inclusion and support in schools. There is also a section on being an ally, a profile of a family with two gay dads (one of them trans) and much, much more!
Jennifer McCaffrey has been working hard on her art for years and is thrilled when she is accepted to a prestigious art school. The school is everything she always thought it would be, mostly. There is one group of kids who seem to resent her and say she only got in because of her skin color. Jen, who loves to create new pieces of artwork that incorporate her Indigenous heritage, finds herself a target when the group tells her to stop being “so Indian”. The night before the big art show at school, Jen’s beading art project is defaced. Jen has to find a way not to let the haters win.
Picking Up the Pieces tells the story of the making of the Witness Blanket, a living work of art conceived and created by Indigenous artist Carey Newman. It includes hundreds of items collected from residential schools across Canada, everything from bricks, photos and letters to hockey skates, dolls and braids. Every object tells a story. Carey takes the reader on a journey from the initial idea behind the Witness Blanket to the challenges in making it work to its completion. The story is told through the objects and the Survivors who donated them to the project. At every step in this important journey for children and adults alike, Carey is a guide, sharing his process and motivation behind the art. It’s a personal project. Carey’s father is a residential school Survivor. Like the Blanket itself, Picking Up the Pieces calls on readers of all ages to bear witness to the residential school experience, a tragic piece of Canada’s legacy.
During Passover, Jews are reminded of how, more than three thousand years ago, their ancestors emerged from slavery to become free men and women. Bestselling author Monique Polak explores her own Jewish roots as she tells the Passover story, which reminds us that the freedom to be who we are and practice our religion, whatever it may be, is a great gift. It also teaches us that if we summon our courage and look out for each other, we can endure and overcome the most challenging circumstances. Enlivened by personal stories, Passover reminds us that we can all endure and overcome the most challenging circumstances. Passover is the first in a series of books called Orca Origins that will examine ancient traditions kept alive in the modern world. Other books in the series will cover Ramadan, Chinese New Year and Diwali.
Christmas is a popular holiday celebrated by people all over the world. This informative and engaging exploration of Christmas is aimed at the middle grades but will entertain readers of a much wider age range. Learn about the games played, foods eaten, music played and favorite ways of decorating in different parts of the world. With lots of fun facts (about everything from frumenty to the jolly old man in red himself) and recipes, there's plenty in this beautifully illustrated volume to satisfy anyone with an interest in the festive season.
This is the second story featuring Rob and Adam Maclean after Coming Clean Rob Maclean and his mom have moved to a small community in northern Ontario in order to be closer to Rob's imprisoned brother, Adam. One night after a rowdy party, Rob and some friends end up in a van speeding through a First Nations reserve. The driver of the van has a deep hatred for Indigenous people, and he lobs rotten fruit at a group of young men gathered in front of a community center. The young men chase them down, and Rob's friend Alan is injured and ends up in a coma. Now the police are pressuring Rob to identify their prime suspect.
Jason is sure his sister, Becca, was murdered, but he’s the only one who thinks so. After finding a photograph Becca kept hidden, he decides to infiltrate a boxing gym to prove that she didn’t die accidentally. As a transgender kid, Jason’s been fighting for as long as he can remember, and those skills are going to come in handy as he investigates. Quickly invited into the inner circle, Jason must balance newfound friendships with the burning hate that drives him. Jason soon feels torn between two worlds, determined to discover what happened to his sister but struggling with the fact that this is the first time he’s ever felt like he belonged somewhere.
The drum represents the heartbeat of Mother Earth. We all belong to the earth and we all belong to the drum. Nikosis grew up going to powwows with his family, happily immersed in music, dance and the sounds of the drum. But when he starts going to daycare, he doesn’t feel like he belongs. Nikosis cries every time his mother leaves him in the unfamiliar environment until, one day, she and the teachers use drums to help Nikosis find connection and comfort.
The drum represents the heartbeat of Mother Earth. We all belong to the earth and we all belong to the drum. Nikosis grew up going to powwows with his family, happily immersed in music, dance and the sounds of the drum. But when he starts going to daycare, he doesn’t feel like he belongs. Nikosis cries every time his mother leaves him in the unfamiliar environment until, one day, she and the teachers use drums to help Nikosis find connection and comfort.
Years before Rosa Parks famously refused to give up a bus seat in Montgomery, Alabama, Viola Desmond took a similar stand against racial segregation in New Glasgow, Nova Scotia. On November 8, 1946, she was arrested for refusing to move from the "whites-only" section of a movie theater. Her heroic act inspired Black community leaders and made her a symbol of courage in the fight against inequality. This story of Viola's life is based on rare interviews with her sister Wanda Robson, who spent her life championing her sister's story and was successful in getting Viola a posthumous pardon that recognized she was innocent of any crime. From their childhood in Nova Scotia to Viola's career as a teacher in a segregated school and, later, her role as a pioneer in Black beauty culture, young readers are introduced to the girl and the woman who went on to become the face of the civil-rights movement in Canada.
Fitting in at a new school is hard enough, but when you’re an awkward, big-nosed, nerdy Pakistani girl with a funny last name, it can seem impossible. Eleven-year-old Alina Butt has changed schools four times already since her family moved to England from Pakistan. Even after all that practice, she doesn’t seem to be getting any better at being the new kid. Mocked for her last name and her "weird" lunches, Alina has had enough! Taking a leap of faith to try and stand out for the "right" reasons, Alina auditions for the school play. Her hopes of landing the lead role in Cinderella are dashed when her new friend gets the part of Cinderella instead...and her bully is cast as Prince Charming!
To honor the death of her best friend, teen Sienna signs up to do a triathlon and finds a connection with an unexpected training partner in this body-positive romance exploring first love, grief, perseverance and trusting in yourself. Five months ago, Sienna Shoring lost her best friend, Stacey, to suicide. Now Sienna's back at school, struggling—and failing—to find her new place in the social hierarchy. Awkward and alone, Sienna is still dealing with her grief. When a package arrives for the “Try It Triathlon,” which Stacey signed them up for as a joke, it’s like receiving a message from the grave. Sienna has no experience with running or biking. And she doesn’t even own a swimsuit. But she decides to take on the challenge in honor of her best friend, despite being a “fat girl.” And when mysterious jock Blake Romano approaches her unexpectedly and offers to train with her, she can hardly say no. He seems to understand her in a way no one else does. But Blake has a secret that might just break Sienna’s heart, even as he’s winning it.
Mary was four years old when she was first taken away to the Lejac Indian Residential School. It was far away from her home and family. Always hungry and cold, there was little comfort for young Mary. Speaking Dakelh was forbidden and the nuns and priest were always watching, ready to punish. Mary and the other girls had a genius idea: drawing on the knowledge from their mothers, aunts and grandmothers who were all master sewers, the girls would sew hidden pockets in their clothes to hide food. They secretly gathered materials and sewed at nighttime, then used their pockets to hide apples, carrots and pieces of bread to share with the younger girls. Based on the author's mother's experience at residential school, The Secret Pocket is a story of survival and resilience in the face of genocide and cruelty. But it's also a celebration of quiet resistance to the injustice of residential schools and how the sewing skills passed down through generations of Indigenous women gave these girls a future, stitch by stitch.
Indigenous artist and storyteller Andrea Fritz tells a tale of a salmon and a sea otter who learn it's ok to say "I don't know" and to ask for help. Thuqi’ the sockeye salmon knows it’s time to spawn, but she is lost in the Salish Sea and doesn't know the way to Sta'lo’, the river. When she asks Tumus the sea otter for help, he doesn’t exactly know either, and he dismisses her questions. But when Tumus becomes lost in some weeds, Thuqi’ shows him that it’s okay not to know something—you can still find a way to help a friend in need.
Bruno's home is a bit different, but he wouldn't trade it for the world. Bruno's friend Sanjay is lucky: he doesn’t have to share his room (well, except with a pet iguana), and he can leave his toy soldiers all over the house. And Bruno’s brother, Mateo, who is visually impaired, is pretty lucky too: He has a dog named Rocco who helps him get around. Plus, Mateo can keep reading after dark by using just his fingers (while Bruno has to use a flashlight). Still, Bruno has it pretty good. He can leave his bed a total mess. He can play dinosaurs with Sanjay and his iguana. And he can listen to Mateo’s made-up adventure stories (Mateo is a great storyteller). If he had to compare, he’d say he was the luckiest of all to have such a great friend and great brother.
A young teen's secret is tearing him apart. He knows he is gay but is afraid to share this knowledge with his parents or his friends. What if they reject him? And what can he do with the feelings he has for his childhood friend when he knows his friend does not feel the same way? The turmoil continues to rise with the force of a hurricane—total destruction seems almost certain.
How is Vincent supposed to focus when there's so much going on at once?! Vincent has a huge house in his head. It has an entrance, a living room, dark rooms, a light room, a space room and a control room. At school, when he tries to recite a fable in front of his class, he blows it. Even though he knows it by heart, not a single syllable comes to mind. Vincent feels like a misfit when people tell him to just concentrate, and he often has trouble in school. He can't seem to think, but he also can't stop thinking. Sometimes he wants to escape his own head and just be like everyone else. But maybe Vincent doesn't have to be the same as everyone else after all. Maybe he just has to learn how to look, to find the light room and see things in his own way. Inspired by the author's experience growing up with ADHD,
A lively, loving serenade full of animals and rhyme that celebrates the joy of playing together. Humans become chickens and roosters, frogs and dogs, snails, whales and many more animals under the sun as children explore their creativity and uniqueness and caregivers play alongside. With messages of inclusiveness and unconditional acceptance, the rollicking, rhyming couplets depicting a day filled with dress-up and make-believe are a humorous and satisfying reminder to children of just how much their caregivers love them, no matter what.
A lullaby of reconciliation and reclamation, celebrating the ancestral relationship between Indigenous children and the land that is forever their home. Under glowing morning sun and silvery winter moon, from speckled frogs croaking in spring to summer fields painted with fireweed, this meditative lullaby introduces little ones to the plants and animals of the Prairies and the Plains. Written in both Plains Cree and English and featuring stunning artwork by celebrated artist Carla Joseph, Forever Our Home / kâkikê kîkinaw is a beautiful and gentle song about our spiritual connection to the land.
A lullaby of reconciliation and reclamation, celebrating the ancestral relationship between Indigenous children and the land that is forever their home. Under glowing morning sun and silvery winter moon, from speckled frogs croaking in spring to summer fields painted with fireweed, this meditative lullaby introduces little ones to the plants and animals of the Prairies and the Plains.
Transgender teen Ichiro enters a drag contest in hopes of earning enough money to live off the grid. Ichiro is a transgender youth in his final year of high school. He has a job as a dishwasher to earn money to help support his single mother. But it's not enough. Ichiro dreams of buying a camper van for the two of them so they can escape and live off the grid and not have to worry about money anymore. A budding drag queen, he takes a second job performing drag at a local club and learns of an upcoming contest where the prize money would be enough to pay for a camper van. But nobody knows he does drag. So when some of his friends find out what he’s really doing in the evenings, Ichiro is worried about what they will think of him. Will they still accept him?
An anthology featuring stories and recipes from racialized authors about food, culture and resistance What if talking about racism was as easy as baking a cake, frying plantains or cooking rice? The Antiracist Kitchen: 21 Stories (and Recipes) is a celebration of food, family, activism and resistance in the face of racism. In this anthology featuring stories and recipes from 21 diverse and award-winning North American children's authors, the authors share the role of food in their lives and how it has helped fight discrimination, reclaim culture and celebrate people with different backgrounds. They bring personal and sometimes difficult experiences growing up as racialized people. Chopped, seared, marinated and stewed, The Antiracist Kitchen highlights the power of sitting down to share a meal and how that simple act can help bring us all together. Featuring recipes and stories from S.K. Ali, Bryan Patrick Avery, Ruth Behar, Marty Chan, Ann Yu-Kyung Choi, Hasani Claxton, Natasha Deen, Reyna Grande, Dierdre Havrelock, Jennifer de Leon, Andrea J. Loney, Janice Lynn Mather, Linda Sue Park, Danny Ramadan, Sarah Raughley, Waubgeshig Rice, Rahma Rodaah, Andrea Rogers, Simran Jeet Singh, Ayelet Tsabari and Susan Yoon.
