Liza, determined to prove that her mother's boyfriend is no good, starts researching the oil company he works for. Liza discovers a lawsuit against the company for compensation that is long overdue to Guatemalan farmers. She starts a group at school called GRRR! (Girls for Renewable Resources, Really!) and launches an attack on Argenta Oil. As her activism activities increase, her objections to her mother's boyfriend become political. She is learning to separate the personal from the political, but when her mother discovers her plans for a demonstration outside the Argenta Oil head office, the two collide in ways Liza least suspected.
Rufus and his sister Alexa hate each other at the best of times. When Rufus's friend Phil manages to hypnotize Alexa, Rufus is ready to enjoy the power. They begin by ordering Alexa to be kind to her parents and Phil. The plan backfires when Alexa sweetly suggests canceling an expensive family vacation in favor of a week at home playing board games. Then Alexa turns on the charm with Phil and suddenly Rufus has to deal with a lovesick amateur hypnotist. Rufus is certain it can't get any stranger until Alexa, still in her hypnotic state, is kind to the brother she's always hated and Rufus is more confused than he's ever been.
Once again Callie is forced to take part in her mom's latest crusade. They head into ranch country to camp -- bloodthirsty mosquitoes, stinky outhouses and all -- at a protest to save a rural school. Callie's grandmother shows up with her biker buddies and the singing grannies. Callie hates camping and wants nothing to do with the protest. To make matters worse, Callie's only possible ally, her cousin Del, is mad at her. The last time Callie visited, she was thrown from Del's horse, Radish. Callie claimed the horse was vicious and now Del's parents are forcing her to sell Radish. Callie wants to help her cousin, but she's terrified of the horse. Del is just as tenacious as the rest of Callie's family, and Callie is forced to admit that she's not going to be allowed to go home until both the horse and the school are saved.
In rough frontier cabins, tidy farmhouses, and elegant townhouses, Americans in the 1800s were dedicated to living as well and as comfortably as their circumstances allowed. The American home was a sacred institution, the seat of family life where the patriarch ruled with Mother at his side as guardian of the home, and the children were raised with strict discipline and strong values. Changes in taste and fashion, improvements in technology (indoor plumbing and a host of new laborsaving devices), and social change transformed home and family life in the 1800s, as opportunities for leisure activities and commercially produced consumer goods came within reach of the average American. But the strong American tradition of the sanctity of the home, consumerism, and the importance of a happy family life has its roots in the homes of nineteenth century Americans.
To an outsider, Native American family life may seem simple. In reality, the societies within Native American tribes are incredibly rich and complex. Nor is family life the same from tribe to tribe. Some tribes are organized into clans; others trace their lineage according to matrilineal lines. This book discusses some of the familial arrangements of various tribes, including the reasons for such arrangements as well as the roles individuals played in their respective societies.
Mary Clayborne, the teenage daughter of a country doctor and a piano teacher, dreams of going to a conservatory and becoming a concert pianist. When her mother falls ill, she temporarily puts aside her ambition in order to care for her younger brothers and sisters. A timeless coming of age story.
5,000 years ago in ancient Mesopotamia during a terrible drought, Jomar and Zefa's father must send his children away to the city of Ur because he can no longer feed them. At fourteen, Jomar is old enough to apprentice with Sidah, a master goldsmith for the temple of the moongod, but there is no place for Zefa in Sidah's household. Zefa, a talented but untrained musician, is forced to play her music and sing for alms on the streets of Ur.