Stella Connors has spent her whole life bouncing around from one town to the next, following the latest musician her mother has fallen in love with. She has always vowed she will never become a pathetic groupie like her mother, Viv. But then her best friend uploads a video of Stella singing a cover of her favorite band’s biggest hit. It goes viral, and suddenly Stella’s ideas about who she is and what she wants take a real hit. As a publicity stunt, the band’s manager asks Stella to perform with them when they come to town. Stella is thrilled and agrees immediately. Soon she finds herself in the spotlight, with everyone after her for interviews and photo ops. And unless she’s reading things wrong, she’s pretty sure the band’s lead singer has a thing for her. When she gets invited to go on the road with the band and perform in another concert, Stella forgets every bad thing she ever thought about being a groupie. After all, she’s nothing like her mother. She’s a star. Isn’t she?
For thousands of years, women in many cultures were excluded from or limited in education. This meant that others told their stories for them. This fascinating book shines a light on women writers who broke that mold. These women wrote some of the most intriguing stories ever written, such as Murasaki Shikibu, who wrote the world’s first novel, and Olympe de Gouges, whose political essays helped spark the French Revolution.
In traditional play format, TWELFTH NIGHT is presented in revised and simplified language while maintaining the integrity of the original classic.
Elle is on the road as an opening act for Johnny James, the biggest star in country music. Touring is everything she's ever dreamed of, but it has unexpected downsides: crazy fans, jealous backup singers, weird rules on the tour bus. But when something goes terribly wrong during a performance, Elle struggles to figure out how she can make things right with her fans, her father, her record company and with her friend Webb. True Blue continues the story that began in Billboard Express.
Fifteen-year-old Natalie is obsessed with ballet and plans to spend the entire summer in dance class with her two best friends. But when her mom gets a job out of town, Natalie gets shipped off to stay with cousins she barely knows. Natalie is thrilled when her cousins invite her to join them at the local dance studio. But it turns out it's not a ballet class; it's Irish dance. Skeptical at first, Natalie is surprised to learn she really enjoys the new dance style and agrees to take part in an upcoming competition. But this new passion could result in Natalie having to leave her ballet dreams behind.
Mark Twain’s classic American story about a boy with a nose for mischief and a knack for avoiding any sort of work is here presented in vibrant detail, with new illustrations by C. F. Payne.
This perennial Dickensian favorite about a miser’s startling change of heart is illustratedby Italian artist Roberto Innocenti and reissued for the readers of all the Christmases Yet To Come.
This collection of 21 poems offers perspectives on the ever-changing stages of human life, framed by the famous “Seven Stages of Man” monologue in William Shakespeare’s "As You Like It".
Kallie Echo is starting to think dreams are dangerous. Her dad had one to be a rock star and then he died. Now Kallie is practically homeless and her life is falling apart. So when a punk band asks Kallie to sing for them, she must decide if she's got the heart to front a band of rocker chicks (and one trans guy). Can she find a new purpose in punk? And will the drummer with the amazing smile break her heart?The band goes on tour, and everything hinges on Kallie. It's a lot of pressure especially when you throw in substance abuse and Kallie's deadbeat mom showing up at the worst time. Kallie must learn to trust her friends, and herself, if she's going to get over the past and make a new future. But if she dares to dream again, will she lose it all?
Brielle and Tawni have played cello side by side in orchestras since they were nine years old. Brielle has always played second chair to Tawni's first, and she's been happy with that arrangement. When Tawni is injured, Brielle suddenly finds herself principal cellist. Not only does that mean she'll be thrust into the spotlight, but it also means she is now leader of the cello section. Brielle is terrified. Is she good enough? Will the other musicians accept her? What if she screws up? Despite her fears, Brielle rises to the occasion. Her cello skills, and her leadership skills, improve as she grows into her new role. But just as Brielle is beginning to feel confident, Tawni returns. And she wants her job back. If Brielle steps down now, she'll lose her place in the spotlight. If she doesn't, her friendship could be in jeopardy.
Piano tuner and jazz musician Frank Ryan is in Japan teaching bored housewives how to play piano. Then he gets a gig in a trendy underground bar and ends up ensnared with a young woman with a grudge and the crime boss who owns the bar. Drawn into Tokyo Girls vendetta, Frank stumbles into an underworld where transgressions are paid for by the flash of a razor-sharp cleaver. And for a pianist, that's not a good thing. Tokyo Girl is the follow-up to Beethoven's Tenth, featuring reluctant sleuth Frank Ryan.