Mientras que Ming juega afuera durante un día de verano, el olor a una comida deliciosa llena el aire. ¿Viene de la casa del avaro de Fu Wang? “¿Qué se trae entre manos?”, se pregunta Ming. Para su asombro, Fu Wang exige a todos los vecinos que le paguen por los olores tan placenteros. Cuando los vecinos se niegan, el caso se va a la corte. ¿Cómo va a deliberar el juez en este caso tan inusual? ¿Puede Fu Wang hacer dinero con el sentido del olfato de los vecinos? Un juez inteligente hace uso de otro sentido común para cerrar el caso con una lógica muy acertada y convincente.
While Ming plays outside one summer day, the smell of delicious food fills the air. It is coming from greedy Fu Wangs house, What is he up to? wonders Ming. To his alarm, Fu Wang demands that all the neighbors pay him for the pleasant smells. When the neighbors refuse, the case goes to court. How will the judge rule in this unusual case? Can Fu Wang make money from the neighbors sense of smell? A wise judge makes use of another sense to close the case with clever and convincing logic.
Based on a fable from Aesop, the Sun and the Wind test their strength by seeing which of them can cause a man to remove his coat, demonstrating the value of using gentle persuasion rather than brute force as a means of achieving a goal.
In this timeless tale from Thailand, A girl cannot decide which of her many silken dresses and lavish jewels to wear to the dance, so she wears them all. Her foolish decision, teaches her a valuable lesson.
When the barnyard animals are invited to a party by their neighbors, they dress in their Sunday best and set off for a day of merriment. But when dinnertime arrives, the famished animals are perplexed to find a simple meal of cornbread. Most of them are polite but Rooster turns his beak up in disgust and rudely leaves the party, missing the treasures hidden for the guests. The surprising twist at the end of the story explains why, ever since, Rooster scratches in the dirt. Martha Hamilton and Mitch Weiss capture the rhythms and idioms of this rural Southern tale, and Don Tate's whimsical acrylics serve up a regular hoedown of fun.
Two hungry travelers arrive at a village expecting to find a household that will share a bit of food, as has been the custom along their journey. To their surprise, villager after villager refuses to share, each one closing the door with a bang. As they sit to rest beside a well, one of the travelers observes that if the townspeople have no food to share, they must be "in greater need than we are." With that, the travelers demonstrate their special recipe for a magical soup, using a stone as a starter. All they need is a carrot, which a young girl volunteers. Not to be outdone, another villager contributes a potato, and the soup grows as others bring corn, celery, and other vegetables and seasonings. In this cumulative retelling of an ancient and widely circulated legend, author Heather Forest shows us that when each person makes a small contribution, the collective impact can be huge. Susan Gaber's paintings portray the optimism and timelessness of a story that celebrates teamwork and generosity
The baker, Van Amsterdam becomes known in Colonial America for baking his St. Nicholas cookies but his greed drives hime to he become stingy in his business. When an old woman buys a dozen cookies from him and expects to receive 13, he withholds the last one. Unfotunately, his business goes downhill until the day she returns for 12 more cookies. But this time he gives her an extra measure and the custom of offering a "baker's dozen" or 13 items spreads throughout the colonies.