After 12-year-old Anya is cut from her middle school soccer team, she decides to pursue her true passion, which is theater. With the help of her sister and new friend Austin, Anya puts together a kids summer theater troupe (The Random Farms Kids Theater), recruiting area kids as actors and crew members. Acting as director, Anya has to navigate the ups and downs of a showbiz life, including preparing scripts, finding a venue, and handling ticket sales, not to mention calming the actors insecurities and settling conflicts. Its a lot of responsibility for a 12-year-old. Will their first show ever get off the ground? This series is closely based on the real-life experience of Anya Wallach, who began a summer theater camp in her parents basement when she was just sixteen years old. Today, Random Farms has launched the careers of many of todays youngest stars on Broadway.
Brielle and Tawni have played cello side by side in orchestras since they were nine years old. Brielle has always played second chair to Tawnis first, and she's been happy with that arrangement. When Tawni is injured, Brielle suddenly finds herself principal cellist. Not only does that mean she'll be thrust into the spotlight, but it also means she is now leader of the cello section. Brielle is terrified. Is she good enough? Will the other musicians accept her? What if she screws up? Despite her fears, Brielle rises to the occasion. Her cello skills, and her leadership skills, improve as she grows into her new role. But just as Brielle is beginning to feel confident, Tawni returns. And she wants her job back. If Brielle steps down now, she'll lose her place in the spotlight. If she doesn't, her friendship could be in jeopardy.
Elle has come to Nashville to become a star. She has what it takes, but her agent and all the label executives want to change everything about herher hair, her body, her clothes and, most important, her music. So Elle becomes a blond, sings about cookin' for her man and wears tiny shorts and revealing tank tops. Then a chance meeting with an established female songwriter makes Elle realize that she's paying too high a price for success. Billboard Express continues the story that began in Rock the Boat by Sigmund Brouwer.
Hailey McEwan has many interests soccer, field hockey, animation. She'd probably never have started singing if her best friend, Crissy, hadn't persuaded her to take singing lessons and join her choir. No one had any idea that Hailey would be such a natural, least of all Hailey herself. A shared love of music from pop to opera has been a big part of the girls' friendship, but when the two face off in a competition for a role in a production of The Marriage of Figaro, their closeness turns into a bitter rivalry. Hailey will have to make a tough decision. Is opera as important to her as it is to Crissy? And is landing a role worth losing her best friend?
When Renata is chosen to play the lead role in the school musical, students who used to ignore her start saying hello and congratulating her in the hall. She is happy until it becomes evident that Karin, a wealthy girl who expected to get the lead role, will go to great lengths to ruin Renata's reputation.
Juggling soccer, school, friends and family leaves John with little time for anything else. But one day at the local community center, following the sound of drums, he stumbles into an Indigenous dance class. Before he knows what's happening, John finds himself stumbling through beginner classes with a bunch of little girls, skipping soccer practice and letting his other responsibilities slide. When he attends a pow wow and witnesses a powerful performance, he realizes that he wants to be a dancer more than anything. But the nearest class for boys is at the Native Cultural Center in the city, and he still hasn't told his family or friends about his new passion. If he wants to dance, he will have to stop hiding. Between the mocking of his teammates and the hostility of the boys in his dance class, John must find a way to balance and embrace both the Irish and Cree sides of his heritage.
With the help of her sister and friend Austin, 12-year-old Anya puts together a kids' summer theater troupe, the Random Farms Kids' Theater, recruiting area kids as actors and crew members for a musical revue. Acting as director, Anya navigates the ups and downs of a showbiz life, including preparing scripts, finding a venue, and handling ticket sales, not to mention calming the actors' insecurities and settling conflicts. It's a lot of responsibility for a 12-year-old but Anya pulls it off. Book 2 opens two days later. Now after a successful first show, Anya turns her attention to the troupe's second show. But trouble rears its head almost immediately when their beloved barn venue is jeopardized. How can they put on a production without a theater? Is the second show doomed before they ever start rehearsal? This series is closely based on the real-life experience of Anya Wallach, who began a summer theater "camp" in her parents' basement when she was just sixteen years old.